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Soon, fans remembered the music video just as much as the song. In the early days, the videos were made on the cheap with the latest video cameras and editing equipment. Feature film directors like John Landis and Martin Scorsese were recruited to helm these mini-movies and the music videos were shot in millimeter and had film-like production values. The channel played softer music that appealed to the baby boomers who did not enjoy the range of pop, rock, and heavy metal band videos that aired on MTV.

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Please do not post photos and audio files from this site on YouTube and similar websites. Image, video, and audio files on this site may be protected by copyright and are used within the guidelines of the Fair Use Law. Note: As an Amazon affiliate partner, B arbra Archives may earn commissions from purchases of vinyl records, CDs , movies and digital music featured on t his site. Appearances s T. My Heart Belongs to Me Memory Photo By: John Doe. You know, like one of those plot points they use for Broadway musicals where the audience is really there to hear the songs and see the costumes.

But "Yentl" takes its masquerade seriously, it treats its romances with the respect due to genuine emotion, and its performances are so good that, yes, I really did care. She's been trying to make it for 10 years, ever since she bought the rights to the Isaac Bashevis Singer story it's based on. Hollywood told her she was crazy. Hollywood was right -- on the irrefutable logical ground that a woman in her 40s can hardly be expected to be convincing as a year-old boy.

Streisand persisted. She worked on this movie four years, as producer, director, co-writer and star. And she has pulled it off with great style and heart. She doesn't really look like a year-old boy in this movie, that's true. We have to sort of suspend our disbelief a little. But she does look 17, and that's without a lot of trick lighting and funny filters on the lens, too.

And she sings like an angel. The beginning is too heavy-handed in establishing the customs against women scholars an itinerant book salesman actually shouts, "Serious books for men And the ending, with Yentl sailing off for America, seemed like a cheat; I missed a final scene between Yentl and her "bride. But the middle minutes of the movie are charming and moving and surprisingly interesting.

A lot of the charm comes from the cheerful high energy of the actors, not only Streisand who gives her best performance but also Mandy Patinkin , as her long-suffering roommate, and Amy Irving , as the girl Patinkin loves and Streisand marries. There are, obviously, a lot of tricky scenes involving this triangle, but the movie handles them all with taste, tact and humor. It's pretty obvious what strategy Streisand and her collaborators used in approaching the scenes where Yentl pretends to be a boy.

They began by asking what the scene would mean if she were a male, and then they simply played it that way, allowing the ironic emotional commentaries to make themselves. There's some speculation from Hollywood that "Yentl" will be "too Jewish" for middle-American audiences. I don't think so. Like all great fables, it grows out of a particular time and place, but it takes its strength from universal sorts of feelings.

At one time or another, almost everyone has wanted to do something and been told they couldn't, and almost everyone has loved the wrong person for the right reason. That's the emotional ground that "Yentl" covers, and it always has its heart in the right place. Roger Ebert was the film critic of the Chicago Sun-Times from until his death in In , he won the Pulitzer Prize for distinguished criticism. Amy Irving as Hadass. Barbra Streisand as Yentl.



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